Mohammad Rasoulof, the triumph of an Iranian filmmaker in Cannes
A courageous escape
Sentenced to eight years in prison for "colluding against national security", Rasoulof chose exile. Crossing the mountains on foot, he escaped the regime's surveillance to join his daughter in Germany. Despite the absence of a passport, he was able to reach Cannes thanks to an agreement between Berlin and Paris.
His presence at the festival is a powerful testimony to his unwavering commitment to freedom of expression.
A declaration of love to freedom
Les Graines du figuier sauvage is a powerful political thriller. The film explores the life of an investigating judge caught up in the storm of protests in Tehran, reflecting the internal struggles and moral dilemmas of Iranians under a theocratic regime. Despite a running time of over 2 hours 45 minutes, the film maintains a captivating emotional intensity from start to finish.
At the press screening, the film was warmly acclaimed, and the audience's reception on the steps was no less enthusiastic. Accompanied by his daughter Baran and exiled actress Golshifteh Farahani, Rasoulof left a strong impression.
A Special Jury Prize
On May 25, Rasoulof received a Special Jury Prize, symbolizing support for oppressed Iranian artists. In accepting the award, he paid tribute to his team in Iran, who remain under constant pressure. He emotionally declared:
"Allow me to spare a thought for all the members of my team who are not with me to celebrate this award. My cinematographer, a number of technicians, who are under a lot of pressure. My heart is with them above all".
He also expressed his solidarity with his people: and wished to "salute all those young women whose boundless courage made this film possible".
"My people live every day under a regime that has taken them hostage".
A filmmaker symbolizing courage and engagement
Since his debut with Gagooman (2002), Rasoulof has become known for his social and political criticism. Influenced by the renowned Iranian director Abbas Kiarostami, he has always sought to reveal the intricacies of the Iranian system. His works, such as La Vie sur l'eau (2005) and Le Diable n'existe pas (2020), winner of the Golden Bear in Berlin, denounce corruption and oppression.
Despite the difficulties of making his voice heard, Rasoulof remains determined. He envisions a future where he can diversify his engagement, but for now, he continues to stand up against Iran's theocracy through his art. His presence at Cannes is not only a personal triumph, but also a powerful message of resistance.
Mohammad Rasoulof embodies the Iranian struggle for artistic and political freedom. His career and his work at the Cannes 2024 Festival are a reminder of the importance of militating for a future in which democracy and freedom will lead Iran, and more broadly, the Middle East.
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